Crap. I spilled toxic waste on my keyboard again.

I’ve always wondered who made these in-house Nintendo promos/ads for Nintendo Power magazine. Most of them were fairly well done over the years. This vivid promo, featuring Nintendo’s early website in 1995, is probably one of my favorites. It also mentions AOL (keyword “NOA”), of course, which was still a big online player at the time.

By the way, anyone who can convincingly explain (with in-world fiction, not marketing) the presence of a poison/toxic waste barrel on this kid’s desk wins 10 cocoa points. Even Diddy Kong sitting there makes more sense.

[Update: 02/01/2016 – It turns out that the toxic waste barrel is actually a boss character named Dumb Drum from Donkey Kong Country. Special thanks to etranist for pointing that out in the comments. ]

Discussion Topic of the Week: What’s the first video game website you ever looked at online?

The only time I have ever read the term “MUSH” in print.

You are looking at a scan of the actual newspaper ad that got me on the Internet with a commercial ISP for the first time. (Prior to that, I got online through a free dial-up university dataswitch.) It’s an ad for NandO.net, a 1990s-era Raleigh, NC-based ISP originally owned and operated by our flagship newspaper, The News and Observer.

As you can see by the handwritten notes on the ad, my dad used this actual piece of paper to sign us up for an account on the service (I modified the credit card number digitally, in case anyone is wondering). I found this rare artifact in my old computer papers recently while researching my early web history for a FastCompany piece I wrote last year. In that article, I explored what it was like to build a website in 1995. Here’s what I wrote about NandO:

As the Internet became more than just a way to access MUDs or look up the occasional novelty on text-based Gophers or web browsers, both of us sought a more robust way of accessing it. One of the first ISPs in our city was called NandO.net. Our local newspaper, the News and Observer, ran it as an extension of its efforts to pioneer online newsmaking processes.

On some day in late 1994, my father signed my family up for NandO.net. What we got in exchange for about $20 a month was an account on an Internet-enabled BBS, which had its own local message board and games, but would allow us to use text-only Internet email, web browsing, FTP, and Gopher. My dad paid extra for a “shell account” so I could log in and get a Unix command prompt. From there I could upload and download files from a terminal program, telnet to other servers, and push stuff from my shell account to remote machines via FTP.

What heady days those were. Incredible to think that I was just dipping my toes into what would eventually become a life-changing deluge — not just for me, but for all of humanity itself.

Discussion Topic of the Week: What was the name of your first ISP? What year did you first use it?

click on the image above to see front and back

I’ve previously featured a scan of an AOL CD, but so far I have not ventured into the world of America Online floppy disk packaging…until now. Here is a gaming-centric AOL giveaway disk package — still unopened — which I believe came with an issue of GamePro magazine I received as part of a subscription in 1996.

I love the AOL screenshot printed on the package here (possibly mocked up for marketing purposes) because it offers a rare glimpse into the mid-1990s AOL interface (with a Windows 3.1 window motif), centered on “The Games Channel.” If anybody has a collection of AOL screenshots from the 1990s, I’d love to see them.

Discussion Topic of the Week: Did you ever play games on America Online back in the day? Tell us about it.

10 DAYS OF VINTAGE: Day 10

One week ago, I had a chance to talk to Felicia Day, an American actress who has gained considerable renown for embracing her geeky side.

In 2007, Day created a pioneering web TV show called The Guild that focused on a group of disparate characters in a World of Warcraft-like MMO who are nonetheless bound together by their devotion to the game — and to each other as teammates.

After launching The Guild, Day went on to co-star in Joss Whedon’s Dr. Horrible’s Sing-Along Blog, an award-winning musical miniseries crafted especially for the web. She has also acted in shows such as Buffy the Vampire Slayer, Supernatural, and Eureka.

Just this year, Day released a memoir called You’re Never Weird on the Internet (Almost), that I read from cover-to-cover in a few days and enjoyed immensely. In it, she talked about growing up in the American South, her gaming habits, embracing her geeky nature, and creating The Guild.

With that book in mind, I thought it would be fun to ask her some questions about her early computing and gaming habits. Along the way, we touch on the philosophy of genius and celebrity, and whether it’s safe to do an interview while you’re driving a car.

I hope you enjoy it.

This interview took place on November 4, 2015 over the telephone.

[ Continue reading VC&G Interview: Felicia Day — Actress, Author, and Geek Advocate » ]

In September 2008, I began working on an in-depth history of the early online virtual world called Lucasfilm’s Habitat for 1UP.com. After delays in hearing back from Chip Morningstar (one of the game’s co-creators) and an unexpected death in my wife’s family, the article got the kibosh. It’s probably for the best, because I barely knew what I was doing back then.

Along the way, I did manage to interview Habitat’s other main creator, F. Randall (“Randy”) Farmer via email. Farmer didn’t answer half of my most probing development questions (he kept pointing to an earlier piece over on Gamasutra), but what he did answer is pretty interesting.

Some of this information be recounted elsewhere by now — I think more articles have been written about Habitat since 2008 — but I’m publishing my complete interview here in the hopes that it may help someone else with research about Habitat in the future.

10 DAYS OF VINTAGE: Day 3

[ Continue reading VC&G Anthology Interview: F. Randall Farmer, Co-Creator of Lucasfilm’s Habitat (2008) » ]

“I REPEAT, THIS IS NOT AN INVOICE”

Although Vintage Computing and Gaming turns 10 years old today, I actually registered the “vintagecomputing.com” domain name back on June 8, 2000. This is what Network Solutions sent to me in the mail. I was only 19 years old — now I’m 34. Time flies.

It wasn’t the first domain I’d ever registered, but it was an early one. I wanted to use vintagecomputing.com for an online computer museum that would show off my vintage computer and video game collection. I never got around to creating that.

Another project got in the way of all of those plans, and I ended up working on music at Request-A-Song.com instead until October 2005.

I finally put my vintagecomputing.com domain to good use — over five years later — when I decided to make a blog on that fateful day in November 2005.

Discussion Topic of the Week: What was the first domain name you ever registered?

[ After hearing exciting news about a new BBS door game, I invited BBS door historian Josh Renaud of Break Into Chat to write up a post about it for VC&G. — Benj]

My name is Josh Renaud, and I run a BBS wiki and retrocomputing blog called “Break Into Chat.” I love old BBS door games, and I’m also fascinated by the ways today’s sysops are doing new things with old technology.

I’m here to tell you about a new BBS door game launching today. Its author is none other than Shooter Jennings, son of country music legend Waylon Jennings.

Shooter’s new game is called From Here to Eternity, and for the last several weeks, he has been beta-testing it on his BBS, which is called “Bit Sunrise.”

I first encountered Jennings when I came across his question on Reddit’s /r/bbs: “If I made a door game for money would you play it?”

I’m not into country music, so the username “ShooterJennings” didn’t mean anything to me. But his question grabbed my attention. I wanted to know what he had in mind. A “freemium” pay-to-play model? A registration fee for sysops like the old days? No. Jennings wanted users to pay a small fee to join his game. Then they would compete to win a jackpot.

We had some back and forth. He told me he had come across Break Into Chat, and had been blown away by one of my ANSI game demos. So I looked him up. It was my turn to be blown away. Jennings has a successful music career. He’s appeared in movies and on TV.

I wanted to know why he was spending time writing a new BBS door game, so I interviewed him at length about From Here to Eternity. Jennings explained how writing the game helped him through the loss of a close friend, and how important retrocomputing is to him (he started with an Apple IIe as a kid).

It’s a fascinating story. And his game is pretty cool too.

To play it, you can access Bit Sunrise BBS and play the game over the web using a browser-based client at bitsunrise.com. Or if you want a slightly more authentic experience, then fire up a terminal program like SyncTerm, and telnet to bitsunrise.com.

In an email announcing the game’s launch, Jennings promised that “the first player to pass through The Coil (the final gate) with all 20 artifacts will receive 1 Bitcoin (~$240) sent directly to their Bitcoin wallet!”

The game will last for 30 days, or until someone wins the game.

[ Major Update: 4/12/2017 – Keep an eye on my Flickr account where I will be posting galleries of Prodigy screenshots and other artwork. ]

[ Major Update: 6/6/2017 – Our Prodigy Reception System reverse-engineering tools have been released. ]

[ Major Update: 1/15/2021 – Phillip Heller has begun reverse-engineering the Prodigy client. ]

Since last year, I have been working with Jim Carpenter, a freelance programmer by trade, on hunting down old Prodigy data so that we may preserve it, display it again, and perhaps even one day use it to recreate Prodigy itself.

We’re calling it the Prodigy Preservation Project.

By now you may have seen my latest piece for The Atlantic entitled Where Online Services Go When They Die: Rebuilding Prodigy, One Page at a Time. That article describes the genesis of the project while also diving into the technical back story of the Prodigy service.

The reason we have any hope of doing something like this is because Carpenter discovered that Prodigy screen data can still be found in the STAGE.DAT and CACHE.DAT files located in used Prodigy client directories.

Those two files were used as cache files to speed up load times when using the service. When connecting to Prodigy, the client would download page data into the files. Whenever the client last connected to Prodigy, that data got frozen in time. If a vintage Prodigy client install still exists, we can get at the “frozen” data today.

Here are some screens that Carpenter pulled from a STAGE.DAT I had in my personal archives (these are from a STAGE.DAT file dated October 6, 1996):

We can extract these screens using a series of Python programs written by Carpenter. They read through a previously used STAGE.DAT file, generate a list of pointers to the pages or object data contained within, then direct the Prodigy Reception System client to display them one at a time so we can take screenshots.

Jim’s code is not ready for release yet, but he hopes to polish it up enough to put up on GitHub soon. It has a long way to go before becoming a turnkey solution to extracting and displaying the data found in STAGE.DAT files. We’re working on it.

With that in mind, I’ve written the rest of this post in the form of a Frequently Asked Questions.

[ Continue reading The Prodigy Preservation Project » ]

You can’t see her other hand, but it’s holding a gun!

It’s a Prodigy-y week around here thanks to my recent article on The Atlantic. So I poked around my scans directory for something Prodigy related, and ka-pow!

I have yet to see an ad for the pre-ISP Prodigy in any of the magazines in my sizable archive (but then again, most of my computer magazines date from before and after Prodigy’s heyday, with a gap in the middle), but I did find this “New Prodigy” ad from an old issue of Internet World, which I proudly subscribed to for a few years in the mid-1990s.

Ads like this one represented a new marketing push at time when the company sought to find a new corporate parent and shifted its focus to being an ISP (its legacy NAPLPS-flavored content was soon re-branded “Prodigy Classic”).

By the way, the “original” Prodigy had a wholesome, family-safe, squeaky clean image, with an army of moderators eager to censor any bulletin board postings or even emails (yes, they read, or at least filtered, everyone’s emails) that contained a hint of sexuality, so I find it humorously ironic that the company ultimately resorted to a sexually-charged ad like this one.

Discussion Topic of the Week: Did you meet a romantic partner online prior to the year 2000? (Including those that didn’t involve physical relationships.) Tell us about it.

I still love my dad’s handwriting.

Here it is, folks: My CompuServe Information Service password that I used from 1993 until the late 1990s: “Needy-Sacred”.

Feel free to log in as me the next time you get a chance. (I kid.)

“Needy-Sacred” is an almost magical combination of words for me — probably because it bounced around my mind so often in the 1990s. It has a tension to it; a phrase at odds with itself.

I didn’t make it up, though. CompuServe assigned random combinations of two words (with a dash in the middle) as user passwords, and this is the hand I was dealt.

Well, “we were dealt” would be more accurate. This is the original note paper my dad used on February 21st, 1993 to write down the password to our new CompuServe account, which he set up for use with his business.

Heavily into BBSes at the time, I became the primary user of the account (surprise surprise). Soon his company often asked me — even as a young teenager — to relay international emails to and from Germany for them since I knew how to use it. Ah, those were the days.

The Encounters Forum was my favorite place to hang out. That, and the Atari Forum. GO ATARI.

Discussion Topic of the Week: Tell us your best CompuServe stories.