Resistance is futile. (click for full advertisement)

Long-time readers of VC&G may recall me talking about my adventures on CompuServe from time to time. Needless to say, they never looked like this. But I did have a few nightmares featuring enormous floating hive-mind spaceships hooked up to my computer when I was 12.

On second thought, maybe this thing is the machine God uses to create snow — if snow indeed exists.

Discussion topic of the week: Star Trek or Star Wars? Better yet: Han Solo vs. William T. Riker in a knife fight — who would win?

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Now we know where those sword-shaped cocktail spears came from.

I seem to recall a 1UP.com feature a few years back that named this colorful airbrush illustration from Double Dungeons (TurboGrafx-16, 1990) as some of the worst cover art of all time. I’d have to disagree. While kinda cheesy by modern standards, I found it captivating when I was a kid. It made me want to play the game, which is probably the goal, right?

Discussion topic of the week: Share your nominations for the best and worst video game cover art of all time.

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Take the law into your own hands.

Discussion topic of the week: EPYX made a number of great games in the 1980s. Do you have a favorite?

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It’s the software Vikings!

Heh. And you thought digital piracy was a new problem. It’s actually as old as the PC software business itself. Some of the earliest evidence of this comes from a famous February 1976 open letter to the Homebrew Computer Club in which Bill Gates (then “General Partner” of a small company called Micro-Soft) protested the rampant “theft” of his company’s popular Altair BASIC.

Reflect on that date for a moment: February 1976 — less than a year after the Altair 8800 launched the personal computer revolution, people were already illegally copying Microsoft products with great abandon. (Some things never change.) Of course, selling pre-programmed software for personal computers was a new concept back then. And heck, personal computers were a new concept back then.

But as time passed and PCs grew in influence, the piracy problem didn’t go away. In fact, it continued as a hot-button topic throughout most of the 1980s. BYTE magazine devoted its May 1981 issue to the subject, commissioning its regular cover artist, Robert Tinney, to provide a visual hook for the monthly theme. Meditating on “software piracy,” Tinney concocted a potent and iconographic image of a fierce viking ship cutting through rough seas, its massive floppy disk sail standing at full mast. To this day, the image (seen above) remains Tinney’s most famous illustration from the BYTE years.

If his prints of this image hadn’t sold out long ago, I’d buy one in a heartbeat.

Discussion topic of the week: Do you pirate commercial software? Why or why not?

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(click to see full scan)

Discussion topic of the week: What’s your favorite entry in the Ultima computer game series?

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You might accidentally crush it. (click to see full scan)

Discussion topic of the week: Have you ever had trouble using an electronic device because its buttons are too small or your hands are too big? Tell us about it.

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Click above to see the full page scan

Here’s a scan of Basketball’s appearance in a 1982 Atari product catalog for their 8-bit home computer line. Basketball, programmed by Alan Miller, is notable for possibly introducing the first obviously black video game character. And hey, it’s also the first game I remember playing.

Discussion topic of the week: What is the significance, if any, of the first black video game character appearing in a basketball game, rather than a game based on another subject matter?

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Scott Wolf fans rejoice!

In the early ’90s, I recall being excited when I heard that a Double Dragon movie was in the works. But after that, the film kinda fell off the radar until I ran across it in a video rental store. I never did rent it, but I’m guessing it was pretty terrible. Am I right?

Discussion topic of the week: What’s the best video game movie movie based on a video game of all time?

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In Memoriam: EGM (1989-2009), American video game magazine par excellence.

As far as I can recall, this is the first issue of Electronic Gaming Monthly I ever bought. I spotted it on a newsstand in a grocery store and begged my mom to buy it for me. Over the next few months of 1993, I bought each new issue from the same source until I convinced my parents that it would be cheaper just to subscribe. So they signed me up, and I’ve been a subscriber to EGM ever since.

Until now. Troubled publisher Ziff-Davis — owner of the 1UP Network and EGM — recently announced the sale of its 1UP property to UGO Entertainment. Sadly, EGM isn’t going along for the ride, but is instead shutting down. January 2009 will be the last issue of EGM in print.

Prior to discovering EGM, my only exposure to video game magazines had been Nintendo Power, the official Nintendo-sanctioned magazine devoted only to Nintendo products. As a publication, Nintendo Power spoke with a sterile, self-censoring voice that was low on speculation and high on propaganda. In contrast, EGM, with its edgy style, gossip column, international coverage, and devotion to multiple platforms (including arcade! — that blew my young mind), opened up a whole new side of the video game industry to me and ignited a passion for the field that persists to this day.

As a writing professional, EGM’s closure stings for reasons beyond simple fandom. Since writing for 1UP.com and visiting EGM’s offices in early 2008, I’ve been fortunate enough to befriend a number of EGM’s editors and staff. As news goes around that over 30 employees’ jobs fell victim to the shakeup, I find myself wincing and hoping the best for all of my colleagues in writing and publishing. Those that met the unsparing axe of nickel-and-dime economics will likely find new jobs elsewhere in time — hopefully sooner rather than later. Until then, I wish them the best of luck, and I’d like to thank EGM’s staff (past and present) for twenty years of incredible, inspiring work.

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This ad for Tech-Sketch’s Paint-N-Sketch Level II brings back memories. My first encounter with computer art came courtesy of KoalaPaint and the KoalaPad tablet on the Atari 800. Later, I fell in love with MousePaint on my family’s Apple IIc. Using the mouse and creating shapes on the screen was a magical experience, and I regularly begged my father to boot it up for me so I could doodle around in four glorious colors. Because of the program’s title, I was convinced it had something to do with Mickey Mouse.

Not too long after, my dad sold the Apple IIc, and I lacked an outlet for computer art until he bought a Macintosh SE in 1987. But that’s another story all together. Now it’s your turn.

Discussion topic of the week: Tell us about your first computer art experience. What computer and software did you use?

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